“There are books that are suitable for a million people, others for only a hundred. There are even remedies—I mean books—that were written for one person only…A book is both medic and medicine at once. It makes a diagnosis as well as offering therapy. Putting the right novels to the appropriate ailments: that’s how I sell books.”
Monsieur Perdu calls himself a literary apothecary. From his floating bookstore in a barge on the Seine, he prescribes novels for the hardships of life. Using his intuitive feel for the exact book a reader needs, Perdu mends broken hearts and souls. The only person he can’t seem to heal through literature is himself; he’s still haunted by heartbreak after his great love disappeared. She left him with only a letter, which he has never opened.
After Perdu is finally tempted to read the letter, he hauls anchor and departs on a mission to the south of France, hoping to make peace with his loss and discover the end of the story. Joined by a bestselling but blocked author and a lovelorn Italian chef, Perdu travels along the country’s rivers, dispensing his wisdom and his books, showing that the literary world can take the human soul on a journey to heal itself.
Internationally bestselling and filled with warmth and adventure, The Little Paris Bookshop is a love letter to books, meant for anyone who believes in the power of stories to shape people’s lives.
The Little Paris Bookshop was quite different from the books I usually read, but I really enjoyed it. I felt like I was in France with the characters. The story itself is predictable but the strong writing makes up for it. The use of words are beautiful. I savored every beautifully written sentence and was fascinated with the lovely characters. It’s a beautiful story about lost and found love, loss and grieving, heartache and sorrow and of course, redemption.
The Little Paris Bookshop is very worthwhile reading and a book every avid reader should have on their reading list.
*I received this book free of charge from Blogging for Books in exchange for my honest review.
Born 1973 in Bielefeld, Germany, Nina George is a prize-winning and bestselling author (“Das Lavendelzimmer” – “The Little Paris Bookshop”) and freelance journalist since 1992, who has published 26 books (novels, mysteries and non-fiction) as well as over hundred short stories and more than 600 columns. George has worked as a cop reporter, columnist and managing editor for a wide range of publications, including Hamburger Abendblatt, Die Welt, Der Hamburger, “politik und kultur” as well as TV Movie and Federwelt. Georges writes also under three pen-names, for ex “Jean Bagnol”, a double-andronym for provence-based mystery novels.
In 2012 and 2013 she won the DeLiA and the Glauser-Prize. In 2013 she had her first bestselling book “Das Lavendelzimmer”, translated in 27 langues and sold more than 500.000 copies.
In November 2011, Nina George established the “JA zum Urheberrecht” (YES on Author’s Rights) initiative, which supports the rights of authors, artists and entertainers and is dedicated to resolving issues within the literary community as well as establishing fair and practical rights-license models for the web-distribution. 14 writers’ associations and 27 publishing partners have since joined the JA…-Initiative. George supports the “Initiative Urheberrecht” (Author’s Rights Initiative—www.urheber.info) as well as the “gib 8 aufs Wort”-campaign of the VG Wort.
In August 2014 George initiated the Amazon-protest in Germany www.fairer-buchmarkt.de, where overs 2000 germanspeaking authors – Nobelprizewinnig Elfriede Jelinek or Bestsellingauthor Nele Neuhaus – sign an open letter to Jeff Bezos and Amazon, protesting against the banned-book-methods of the giant retailer in the Hachette/Bonnier-dispute.
In 2015 George is the founder of the Initiative Fairer Buchmarkt e.V., which supports questions of law in daily business of authors – for ex in contracts, fees or author’s rights and e-Business.
George is Member to PEN, Das Syndikat (association of German-language crime writers), the Association of German Authors (VS), the Hamburg Authors’ Association (HAV), BücherFrauen (Women in Publishing), the IACW/AIEP (International Association of Crime Writers), the GEDOK (Association of female artists in Germany), PRO QUOTE and Lean In. Nina George sits on the board of the Three Seas Writers’ and Translaters’ Council (TSWTC), whose members come from 16 different countries.
Nina George teaches writing at Literaturbüro Unna, Alsterdamm Kunstschule, Wilhelmsburger Honigfabrik, where she coaches young people, adults and professional authors.
George also moderates (bilingual) readings and works as a speaker.